Many thanks to the Virginia Center for Creative Arts (VCCA) and VCCA-France for their support of this installation that takes place July 10-18, 2023 at a Chapel in Auvillar, France along the Garonne River and one of the pilgrimage routes to Santiago de Compostela.
As in the previous iteration in Brooklyn Bridge Park (2019), the installation considers cemeteries as their own social network and takes a view to trends in memorialization now that many physical cemeteries worldwide are at capacity. A collaborative project with video designer Lianne Arnold, the installation includes mobiles created with basswood, vellum and string representing monuments and symbols in silhouette, from East coast cemeteries as well as a 20 minute video projection that incorporates drawings, photographs, animations, sound and mapped projections. The concepts and trends, research-driven, have been compiled in a booklet written by Paul D'Agostino and translated into French by Morgan Cini. This is an on-going project that will be updated with each new siting.
Follow our project on instagram @lesliekerby, @liannearnold
The photos represent a timeline of the installation. The Chapel has been open to the public as the installation unfolds. We have had visits and great conversations with neighbors in the village as well as from pilgrims traversing the Camino trail.
Arnold providing the projection mapping to incorporate the video into various elements in the Chapel environment. Video clip below.
This original wall fresco has been almost completely wiped away, buried under many layers.
The village is trying to restore it. Working with information from the local officials we were able to bring some of the animals and a portion of the figure at the top back into view using drawing and light. The prior photograph shows the wall before the projection reveals the elements.
This original wall fresco has been almost completely wiped away, buried under many layers.
The village is trying to restore it. Working with information from the local officials we were able to bring some of the animals and a portion of the figure at the top back into view using drawing and light. The prior photograph shows the wall before the projection reveals the elements.